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Hope in the Night


PCE celebrates composer William Dawson and features a forgotten masterpiece from this major Black symphonist.  At its 1934 premiere, by Leopold Stokowski and the Philadelphia Orchestra, Dawson’s Negro Folk Symphony received a thunderous ovation and was hailed by some as the highest achievement in American symphonic music. But Dawson never found a publisher, and the music disappeared from view.


Louis Moreau Gottschalk, born in New Orleans, was raised on Black Creole music – and is the earliest American composer whose music we still hear. His lively and energetic  “symphony” Night in the Tropics, with Cuban percussion, was among the best known orchestral works in 19th Century America.


This is the final concert in PCE’s season-long project, The Rediscovery and Renewal of Black Classical Music, which seeks to elevate consequential composers who have too long been neglected for all their profound contributions to American orchestral music. PCE has long been a national leader in unearthing this buried history. By contextualizing this story– where the music came from, why it disappeared, and what to make of it today– we reflect on our nation’s complex cultural history and gain insight into how to nurture understanding and dialogue.


The project coincides with Joe Horowitz’s book  Dvorak’s Prophecy and the Vexed Fate of Black Classical Music released in November 2021.

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Program

READ Joe Horowitz’s Wall Street Journal article on Dawson’s symphony

Concert

Hope in the Night

March 18, 2022, 7:00PM

Duke Ellington School of the Arts | 3500 R St NW, Washington, DC 20007


PostClassical Ensemble conducted by Music Director Angel Gil-Ordóñez

Program

  • William Dawson: Negro Work Song (world concert premiere)
  • William Dawson: Negro Folk Symphony
  •      The Bond of Africa
  •      Hope in the Night
  •      O, Le' Me Shine, Shine Like a Morning Star!
  • Louis Moreau Gottschalk: Night in the Tropics


Post-Concert Discussion with legendary tenor George Shirley


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